Written by: McCartney
Recorded: August-November 1973
Producer: Paul McCartney
Released: 30 November 1973 (UK), 3 December 1973 (US)
Paul McCartney: vocals, guitar, bass guitar, piano, drums
Linda McCartney: backing vocals, keyboards
Denny Laine: vocals, guitar
Available on:
Band On The Run
The final song on Wings' 1973 album Band On The Run, Nineteen Hundred And Eighty Five was based on an idea that Paul McCartney had for some months prior to its recording.
McCartney's starting point was the opening line, although it took some time for the rest of the song to be written.
With a lot of songs I do, the first line is it. It's all in the first line, and then you have to go on and write the second line. With Eleanor Rigby I had 'picks up the rice in the church where the wedding has been.' that was the one big line that started me off on it. With this one it was 'No one ever left alive in nineteen hundred and eighty-five.'' That's all I had of that song for months. ''No one ever left alive in nineteen hundred and eighty... six?' It wouldn't have worked!
Paul McCartney In His Own Words, Paul Gambaccini
As with Picasso's Last Words (Drink To Me) before it, the song refers to other moments on the Band On The Run album, giving the impression of a unified body of work. In this case, Nineteen Hundred And Eighty Five ends with a reprise of the album's title track.
Nineteen Hundred And Eighty Five was never performed live by Wings, and only became part of McCartney's live set in the 21st century. Footage of McCartney performing the song was made in 1974, although it was unseen until the 2010 reissue of Band On The Run.
The 16mm film was part of One Hand Clapping, a 55-minute documentary shot at Abbey Road's Studio Two which captured Wings' August 1974 rehearsals for their forthcoming live appearances.
The sequence for Nineteen Hundred And Eighty Five begins with McCartney performing solo at a piano, and features no other members of Wings. From the middle eight onwards, McCartney is filmed singing along to the studio backing track while smoking a cigarette. The footage ends before the reprise of the song Band On The Run.
I never realized this was a McCartney song until 2 weeks ago as I never bought ‘BOTR’, although I’ve heard it many times.
Great piano riff!
I’ve always thought it was denny on bass
The rhythmic drive of this song is something fantastic.
Is there a (incredible) mistake with the drums at the second interval?, precisely with the bass drum?
At what time in the song is the mistake?
what is the sweet stuff that the lady gets behind
I have no idea why this song has almost no credit…I’ve searched on internet and nobody talks about it, even Paul…It is a very good song..the riff is insanely great, the changes in the middle..nobody could imagine the way he took..and the end part.. raising and raising turning into a climax…in my opinion an innovated piece in a good album…but ‘band on the run’, ‘jet’, ‘let me roll it’ takes all the credits. At least for me 1985 it’s the greatest of the album, but I must confess that I like more the live version he recorded on video that the studio version which loses energy…
https://www.youtube.com/watch?v=Jqoapj1b4D4
Thanks Paul for the song!
I love this song so much. I think that the One Hand Clapping version is sublime. Those Ooh ohhs are hot
My favorite song on the album, I’ve always loved this song.
A mediocre song, with a fantastic middle eight made up of song harmonies. One of the best parts on the album, together with the whole No words song and the two first parts of the title song.
Great song with a driving beat and infectious piano riff to start it off … heavenly chorus break right in the middle, state of mind lyrics that most people can relate to. Most groups work their entire careers to just have one song as good as this is and Wings had many.