Written by: McCartney
Recorded: August-November 1973
Producer: Paul McCartney
Released: 30 November 1973 (UK), 3 December 1973 (US)
Paul McCartney: vocals, guitar
Linda McCartney: backing vocals
Denny Laine: backing vocals, guitar
Howie Casey: saxophone
Remi Kebaka: percussion
Available on:
Band On The Run
Written during a holiday in Jamaica, Bluebird continued the themes of personal emancipation explored by Paul McCartney on his 1968 song Blackbird.
McCartney used the flight of a bluebird as a metaphor for the power of love to set a person free from mental and physical constraints. Whereas Blackbird had been written about the civil rights struggle in the United States, Bluebird was more personal, and reflected his contentment with Linda McCartney and the stability after the dissolution of The Beatles' business partnership.
Recording for Bluebird began in Lagos, Nigeria, and the song was completed at George Martin's AIR Studios in London. Coincidentally, the percussionist on the song was a Nigerian working in the English capital.
The only other musician on the album, other than the orchestra, is, funnily enough, African! We were gonna use African musicians, but when we were told we were about to pinch the music we thought 'Well, up you, we'll do it ourselves then, so there's no question about it.' Then we were back in London working at AIR Studios and this old friend from the past named Remi Kabaka turns up. And he's from Lagos! He played on one of the tracks, he plays a bit of percussion on Bluebird, so he's the only one who ended up doing anything on the album.
Paul McCartney In His Own Words, Paul Gambaccini
The other session musician on Bluebird was saxophonist Howie Casey, who also performed on Jet and Mrs Vandebilt. Casey was a former member of Liverpudlian band Derry And The Seniors, who The Beatles had known in their Cavern Club days.
Bluebird was the b-side of Mrs Vandebilt, a January 1974 single released in Australia and mainland Europe and Australia. The song was also performed by Wings throughout their 1975-76 tours.
What does the bit about “when we were told we were about to pinch the music” mean? I know the quote is at least 25 years old, but does anyone have any background on what he was talking about?
In a pretty recent interview (I think it was BBC Mastertapes or something like that?), Paul said that a local Nigerian big man accused Paul of coming to Nigeria to appropriate their music (as so many white musicians have appropriated black sounds in the past). Paul visited the man at his house and made peace with him, explained to him that they had just come to record his own stuff, not to listen to Nigerian music and copy it. But Paul must have been sensitive to the fact that Bluebird played with Nigerian musicians might have been regarded as exactly the kind of cultural appropriation that he’d just been accused of, so he decided to record that one in the UK. But ended up having a Nigerian playing on it anyway!